about bippidii boppidii
Transforming the fabrics into finished items – bags, purses, clothing, furnishings and soft sculpture completes the design process: imagined ideas become tangible objects, beautiful, useful and unique.
Design inspirations are drawn from the natural environment and built spaces, the critters and people who inhabit these spaces, the objects of everyday life and occasionally, the musings of dream and fantasy. A nature lover who grew up on around 2000 acres in South Australia, I have embraced the flora and fauna of the Top End, immersing myself in a daytime world of burning pandanus and invading magpie geese and a nocturnal habitat populated by quirky curlews and scuttling bandicoots.
I grew up on a farm on Yorke Peninsula surrounded by creativity. My mother sewed, baked, knitted, did macrame and doodled endless doodles while I was growing up: when she retired she became an artist, painting in watercolour, oils and pastels and winning regional art prizes in South Australia and Queensland. My father was creative in a practical way, making things he needed in his workshop, be it a band saw or a front end loader attachment for his old tractor. He now turns wood, making bowls and pens and other lovely things. As a child I loved to paint, draw and make things and I learned to sew as soon as Mum would let me near the near the sewing machine, completing my first button up collared shirt at the age of eleven.
The drive to learn and create has guided my life. I’ve studied design, multimedia, creative and professional writing and a broad range of sewing skills as well as many crafts that come under the textiles banner, specialising in fabric printing and design. Never one to be without a space to create – and with a long term addicition to screen printing and lino blocks – I have printed lengths of cloth on a tiny kitchen table in a bush hut with no electricity, stitching clothing on an old treadle machine. I’ve printed furnishing fabrics in a shearing shed. I’ve set up a sewing room in a garage in a northern Sydney share house, printed clothing fabrics in a freezing cold semi-basement in a stone house in a cherry orchard and in the back room of an old suburban church. bippidii boppidii started in an ‘entertainment room’ turned workshop in a rented house when we first came to Darwin. When we moved rural we happened upon a tiny fibreglass and plywood ‘pod’ called Nigel (I kid you not, it was proudly announced on a sign). This is where bippidii boppidii began to turn into something more than a hobby. I now have a three room studio, Susurrus Studio, alongside Nigel. How lucky am I?
I’ve lived in rural and metropolitan South Australia and New South Wales and did a wonderful spell on the APY Lands in Central Australia when my second son was small. I now I live on a 20 acre bush block in Darwin River, in the Top End of the Northern Territory where I relish the relentless heat. (Although, I’ve got to say, it’s been a bit much lately!)
In late 2011, I discovered digital fabric printing, which revolutionised my world, particularly given that The Top End weather presented too many obstacles to render such ad-hoc settings suitable for hand-printing fabrics. Digital printing enabled me to follow my passion for designing fabrics without having to worry about the weather or the fumes – and with an unrestricted palette at my disposal.
One of the things I love about digital printing is that, as with hand-printing, I don’t have to print large runs of fabric, so that I can design and make individual items and avoid the drudgery of making the same thing over and over again. It means that if a client tells me they want that bag, but in that fabric, I can do it without having to make 50 more the same. There’s no mass production here.
Thanks for stopping by. I hope you’ll come visit again.